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T L's avatar

The show has a spiritual dimension?

Isn't it about people with no practical worries, doing things with no practical consequences, and no spiritual depth. If something goes wrong everything just resets back into a plastic land of plenty.

At the end, once the main characters decide that their extremely limited personas have run their course, over many, many lifetimes, which is exhausting, they let go and stop being such pathetic (anti-)stereotypes.

I doubt Michael Schur intended it, but the muse works in funny ways. His hackneyed politicised characters can't find realisation in hell or even in heaven! They need to be suicided into the unknown. They're pitiful and limited, all the way up until that point. Morality is unexamined, vision and spiritual experiences are beyond them, alternative thought is invisible. The "suicide door" is the one they need to step into to stop being so empty.

Even after almost infinite lifetimes, I felt that a light breeze would change their sense of direction. They're like little children.

Is Schur damming the types of people he knows? Is he damming himself? His culture? His characterisations? Is he aware he is doing this, or is he so small-minded that he can't even see the full implications of what is speaking through him? Are the most successful memes so much from the unconscious that the writer often neither recognises nor understands their full implications?

What's the difference between the individuals in the show and a well-looked after and intellectually precocious 8 year old? 8 year olds can discuss the "trolley problem". 8 year olds know what "right" and "wrong" are and rarely question it. Time lasts forever for 8 year olds. Isn't going through that "suicide door" merely letting go of childhood?

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alexsyd's avatar

Thanks for your review. You have no doubt gained merit by subjecting yourself to hours of pain in order to report back to your fellow men pop culture images, gestures and sounds in time ca. 2021. Your synopsis reinforces what I've observed in real life; and reveals that certain behavior shared within an increasingly hysterical system is based, it seems to me, on feminized Dada.

Meaning the underlying content is a type of emptiness and irony. The emptiness is annihilation. The worship of blacks is ironic since the white creators and actors, Schur, et. al., would never go near black doctors, professors, airline pilots, schools, real estate, etc., in this world. And black "philosophy" is voodoo or reparation pablum – which those whites who engage in this sort of work can pretend to believe in but equally avoid outside the make-believe world of the studio.

Therefore, the premise to the story is an elaborate inside joke meant to browbeat and humiliate white men, and nothing else at all.

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